Awaken Consciousness Magazine

multum in parvo

Month: December, 2009

Editor’s Note

Dear reader,

It’s hard to believe that 2010 is right around the corner.  I say the same thing every year, and still haven’t become accustomed to looking at the calendar in late December, realizing there are only a few days left.  I love this time though, an obvious point of reflection on the year gone by and consideration of the year to come.  What accomplishments deserve celebration?  What did I not quite finish that would be beneficial to wrap up?  What was my greatest joy this year?  Who came into my life and what have they taught me?  What am I hoping to do next year?

In mid 2009, I dreamed of Awaken Consciousness Magazine being a place where art integrates with personal transformation, a resource of inspiration and potentiality.  I am so grateful to YOU for helping to make that happen.  It’s an honor to have published such fantastic work, and I am humbled by your commitment to art, to growth, beauty and inspiration.

ACM is on break until the new year, but I hope you’ll visit again in January for more works that articulate and explore the Great Work, that of experiencing peace and joy, remembering our authentic source, our true self.

As always, I’d love to hear from you.  Email your comments or questions to me at editor@awakenconsciousness.com or post directly to the contributors through the comment log.  If you’re interested in subscribing to ACM, please scroll down to the bottom of this page and click “Sign me up.”

Many blessings to you and yours in this season of love and light.

Mindie Kniss

The Great Mirror

by Therese Halscheid

When it has had enough
of our thoughts,
the earth’s silence ends

and slowly
or suddenly

it forms
what we have been thinking.

This is how we learn of ourselves -

what emotions
we are made of

what has been stored
within us, all that

cold silence,
fiery anger,
flooding sorrow.

That pain…

The pain which comes
fastening itself to the world
that is too much sometimes

like what the dry heart does -

how rage becomes
the ground’s sudden quaking
and all those places of trembling dirt -
the landslides.

And of quiet spots,
our feelings are
that vast hush
with glistening meadows

the flowers there.

Therese Halscheid has lived simply as an itinerant writer for the past sixteen years – working deeply with the earth in unusual settings. Many poems come from an intimate relationship with earth, claiming it as a being rather than something to be controlled. Learn more at her website: ThereseHalscheid.com.  Editor’s note:  “The Great Mirror” originally appeared in Albatross, and Halscheid’s book, Uncommon Geography.

We Know

by Kate Hutchinson

If we could see the miracle of a single flower clearly,

our whole life would change.

– Buddha

We are only kidding ourselves
When we say the wind carries secrets
For we know as surely as the sparrows
That sand was once stone
And that leaves fall from trees
Only to bare them for ice.
We know with the certainty of voles
That beneath the sprawling oaks
Lie roots as gnarled and knotted
As the loves and enmities
Of our buried ancestors.

But still we grope and claw
With stick and fork and knife
Through damask of our own making
Into dark rooms where candles once burned
And we try to make meaning
From wax beads dripped carelessly
On smooth mute tables
All the while deaf and blind
To the calligraphy humming
In a single blade of grass
Just outside the door.

Kate Hutchinson teaches English and is Fine and Performing Arts Coordinator at a large suburban high school near Chicago.  Her poetry and non-fiction have been published in several journals and collections, most recently The Sow’s Ear, Cloudbank, and two of the Cup of Comfort collections.  Editor’s note:  “We Know” originally appeared in Mosaic, literary journal of National-Louis University, Chicago, June 2008.

Re-Volt

by Carmen Mojica

I sit by midnight oil, penning the last of my writings, the first of my talents and the middle of my travels as a memoir dedicated to her and her femininity.
To you, my colleagues, I raise my glass of Merlot and toast to the end of the prelude to the perfect storm; you’ve been kept in the shadows of the world’s minstrel show and…
This goes to all my women who just felt the call to nurture the civilization deep in their fertile cavities. To all my men who just understood the meaning of what their duties truly entail.

For those of you waiting for the revolution, it’s happening now. In the streets of El Barrio and off the curves of beautiful goddesses screaming revolution into the ears of their children so that the first words they whisper are “peace be with you.” In late night ciphers, passing poetry through our tired bodies from our lips and off the fingertips of the guitar player professing his own music in a form that brings tears to the eyes of the artist. It’s happening.

He will paint the first and last mural of his lifetime….and it will be a masterpiece.

Because it’s happening now. From the mouths of poets who never asked to be gifted with words but realize they are the writers of the anthologies, the new morning after the strippers slink off the beams in the ruins of downtown Manhattan, and from the feet of break dancers projecting 108 different postures of perfection over the hip-hop beat that isn’t just music anymore…this is inevitable and…..

Only the paintbrush will save us. And there is no other army but those with insatiable urges to project our beauty onto concrete walls in neighborhoods that feel like death touched them and never returned their life.

We speak of the apocalypse as though we still have eons of time to retreat…the time to reload is now, rejuvenate, revive and replenish the missing components of an unsatisfying polluted version of reality.

Pick up pen and pad and write. Take music, make it loud and dance.
Realize we are the center of us and that as significant as we are, we are equally insignificant.
Lay on my back and stare up into the sky on the clearest night of the most perfect day.
It will be okay, even when it looks like the end is near.
What is the end of the story if not the beginning of another?
This is your near-life experience. Take it.

Carmen Mojica is a poet and writer. She is a student in the art of holistic health practices and is on the path of helping the people around her, particularly women. She has completed a memoir about her journey to self-love and is currently writing a novel.

Just Say the Word

by William Bradley

I’m trying to think of a word.  It’s a word that I’ve forgotten, that I suspect we’ve all forgotten.  We knew it once, it’s on the tip of our tongues, something just reminded us.  No, it’s gone.  Love?  No, no.  Good?  Well, close, but not quite.

It’s like, when I was born, wrapped up in a white blanket, and put to my mother’s breast, my guardian angel leaned in to me and, with breath reeking of Maker’s Mark and Marlboros, whispered it to me.  He said “Here it is.  Check it.  Dude, it’s all that you need to know.”  And I understood, and felt at peace.  And I know that I won’t remember what the word was until my heart monitor stops beeping and they disconnect me from my respirator, and my guardian angel returns, pulling the pack of cigarettes out of the pocket of his jacket and offering me that smoke I’ve waited so long for, since I quit in order to prolong my life on earth.  He’ll hook me up with a match, light his own cigarette, then smirk at me with that arrogant, knowing grin of his.  The dick.  “You remember what I told you?”  he will ask.  “Almost,” I’ll answer.  “God knows I’ve been trying.”

It’s the word that we’re missing from all of our common vocabularies, regardless of language.  It is all parts of speech, but it is not a vulgarity; far from it.  It is the word that connects one idea to the next, that links one narrative to another, that clears up all misunderstandings.  The Christian, the Jew, the Muslim, and the atheist could find all that separates them made insignificant by its utterance.  “Oh, that’s what you meant,” they’d say in unison, then have a hearty laugh over the misunderstanding.  It all seems so obvious, once the word’s been spoken.

The word names the bond shared by all who live.  It soothes us when we worry, it alleviates our fears.  It is the name of the universe, and the name of the universe’s creator.  It is the knowledge that brings us closer to the Supreme Person, it expresses the best possible tidings to those who have faith and do good works; in the beginning, it was there with God, and it was God.

My guardian angel will lean in closer to me, excited.  “Do you give up?”  he’ll ask.  “Just give up.  None who lives ever remembers the word, even though they all want to.”  And then he’ll tell me, and I’ll shake my head and groan at my ignorance.  It was there all the time.  How could I have missed it?  It will all seem so obvious, when I’m dead.

In the meantime, though, I’ll get by the best I can, with my ignorant, half-formed ideas formed by my insufficient vocabulary.  Most of the time it doesn’t even bother me.  Hardly at all.  I stand in the kitchen, stirring the pasta and watching the clock.  The house fills with the scents of the dinner that will be ready soon.  These are the moments, I know, when my wife loves me most.  This is when I love her most, too—during these relaxing hours after we have escaped from the office but before we start preparing for the next day’s labors.  And when we’re loving each other the most, the word love seems insufficient.  So my wife comes into the kitchen and stands behind me while I stir.  Her left arm goes around my waist, and she stands up on her toes to kiss my shoulder.

“I love you,” she says with a sigh that indicates frustration with the word’s inadequacy.

“I love you too,” I say, sympathetic to the shortcomings of our language but content in the knowledge that we understand each other regardless.

William Bradley’s work has appeared in The Missouri Review, The Normal School, Brevity, The Bellevue Literary Review, and other magazines.  He teaches at Chowan University in Murfreesboro, NC, and he can often be found acting like a know-it-all on his blog, The Ethical Exhibitionist (http://ethicalexhibitionist.blogspot.com).

Solitude

by SuzAnne C. Cole

Like a knight preparing for dragons,
she arms herself for a day alone—
instead of a sword, a journal of handmade
paper and an antique fountain pen.
For provisions, a bottle of spring water.
As talismans a baby doll, half-hand
bitten off and raggedly glued, smiling
bear fetish, tarnished brass pendulum.
For outer illumination a candle,
hoping meditation will bring inner light.
No shield for protection from demons
she knows will arise from the midnight
of her soul, shadows which must be
faced —and embraced.
She retreats to her room for solitude,
closes the door to the world,
opens the door to her self.

SuzAnne C. Cole, former college English instructor, enjoys being a wife, mother, and grandmother, traveling, hiking, exploring her consciousness, and writing from a studio in the Texas Hill Country. She’s been both a juried and featured poet at the Houston Poetry Fest and once won a haiki contest in Japan.  Editor’s note: “Solitude” originally appeared in Sage of Consciousness.

As Above, So Below

by Christine Stewart-Nuñez

A canopy of silver maples:
fifteen feet of trunk thrust
leaves into blue Nebraska sky.

We stood underneath, arms
wrapped around waists,
grass cool against bare feet.

Below, root systems spread
out as wide as the trees are tall;
roots of two growing close

web beneath earth, interlace
to share water or sickness,
whichever love is theirs to bear.

Christine Stewart-Nuñez is the author of The Love of Unreal Things, Unbound & Branded (Finishing Line Press 2005 and 2006) and Postcard on Parchment (ABZ Press 2008). Her poems have appeared in Prairie Schooner, Calyx, Arts & Letters, and North American Review. She teaches at South Dakota State University.

Savasana

by Mary Ann O’Gorman

Teacher, watch. Sit still.
Settle them. They’re leaves swept up
by breezes, until

their feet, tulips bent
toward last light, lay flat, toes
uncurled–and heads, sent

like stones in a lake,
let surface ripples gather
to stillness. They’ll make

no noise, just engage
in the rise and fall of breath.
The V’s where ribs uncage

form flocks of geese
etching the gray, dusky sky–
homeward bound, released.

Mary Ann O’Gorman lives in Ocean Springs, Mississippi, where she teaches English and yoga. Her publications include a chapbook, Life in This House, and a poem forthcoming in The Bellingham Review. Her poem “Invisible” won the poetry prize at the Words and Music/Pirate’s Alley conference and was published in The Double Dealer.

Wonder

by Jan Keough

I would like to mention
that there is no preparation
for wonder.

It doesn’t appear on the pages
of all those books
you’ve read.

It doesn’t linger
on the backside of memory
with the most delicious taste.

It can’t fall out of the sky
like sun showers
to dazzle you.

It doesn’t rise like waves
full of pushing forward
with small tingles of anticipation.

Or appear from outside
like phone messages
blinking your attention.

No, it hovers,
waiting for you to be ready
to see it.

And swim in it
and absorb it
since it’s always there.

That something-joy
born of your
letting go.


Jan Keough lives in Northern Rhode Island and is part of the Origami Poems Project of RI. (www.origamipoems.com) She’s received 1st Honorable Mention from the Bay Area Poets Coalition. Her poems have appeared in New Verse News, The River Poets Journal, Providence Journal, and the RI Writer’s Circle 2008 Anthology.

Easter Sunday

by Marian Kaplun Shapiro

at the Quaker Meeting House.
See us sitting. See the rows and rows
of dark wood benches. See the spring sun-
light prisming through the windows, linen
handkerchiefs fallen on the dark floor tiles.
Hear the expectant silence of apple trees,
buds about to pop, each in its pink or white time.

Now a baby papoosed on his daddy’s chest,
trills his tipsy giggle into the air.
Hmms, cackles, coos, gurgles, squawks,
squeals, he hatches sounds that have no spelling.
We grownups laugh our soprano/alto laugh,
our tenor laugh, our bass laugh, wrapping
the room in a kind of ‘stadium wave’ of love.

The father rises.
“This is Jonah,” he says. “Jonah wants to tell you
that he is very happy.” The father sits,

and

we

remember

what we’ve lost. That seemingly
impossible Faith. And, especially,
that unmitigated Joy,

born today

lost again today,

slipping through the sieves of consciousness,
new and old, inevitable, entwined,

as relentless as time, and as certain.

Marian Kaplun Shapiro is the author of a professional book, Second Childhood (Norton, 1988),  a poetry book, Players In The Dream, Dreamers In The Play (Plain View Press, 2007) and  two chapbooks: Your Third Wish, (Finishing Line, 2007); and The End Of The World, Announced On Wednesday (Pudding House, 2007). As a Quaker and a psychologist, her poetry often addresses the embedded topics of peace and violence, often by addressing one within the context of the other. A resident of Lexington, she was named Senior Poet Laureate of Massachusetts in 2006 and again in 2008.

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